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PRM2401 · Printmaking: Screenprinting and the contemporary poster

Official Handbook

2026 Handbook6 credit pointsLevel 2Department of Fine Art

Last checked: 23 Aug 2026 UTC

Overview

This is a studio-based unit, where you will be presented with projects involving screenprinting processes and explore the potential of image making using the analogue, digital and photographic stencil processes particular to this printmaking method. The principles of screen printing, as an expanded contemporary art and design practice, can employ the strategies of repetition and multiplicity; the print as an impression; and trace and echo. Exploration of the extension of screenprinting methods into other creative fields such as sculpture, installation, performance, textile and graphic design, will be considered. Occupational health and safety instruction relevant to the Printmaking studio will be addressed.

Offerings

CampusTeaching periodMode
CaulfieldSecond semesterTeaching activities are on-campus (ON-CAMPUS)

Assessment

The Handbook does not list a final examination among the assessment items. That is not a guarantee there is none.

#AssessmentTypeWeightHurdle
1Project 1: Graphic ExperimentsProject40%
2Project 2: Poster AssignmentProject60%
3Workshop ParticipationDemonstration0%Competency

100% in-semester assessment

Assessment details may change. Please refer to the assessment information in Moodle closer to the start of the teaching period.

Requisites

corequisite

  • OHS1000 — Introduction to art and design health and safety

Learning outcomes

  1. Develop conceptual, technical and design skills in relation to screenprinting practice;
  2. Develop studio processes in the screenprinting studio that generate ongoing creative research;
  3. Apply creative strategies in print media as a form of expression appropriate to the concept you are investigating;
  4. Analyse the context of screenprinting in various fields of national and international cultural production;
  5. Position and articulate the aesthetic, theoretical and historical context of your screenprinting within contemporary cultural production.

Workload

12 hours per week including 4 contact hours plus 8 hours of independent study.

ActivityDuration
Studio activities48 hours

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