Units / PRM2401
PRM2401 · Printmaking: Screenprinting and the contemporary poster
2026 Handbook6 credit pointsLevel 2Department of Fine Art
Last checked: 23 Aug 2026 UTCOverview
This is a studio-based unit, where you will be presented with projects involving screenprinting processes and explore the potential of image making using the analogue, digital and photographic stencil processes particular to this printmaking method. The principles of screen printing, as an expanded contemporary art and design practice, can employ the strategies of repetition and multiplicity; the print as an impression; and trace and echo. Exploration of the extension of screenprinting methods into other creative fields such as sculpture, installation, performance, textile and graphic design, will be considered. Occupational health and safety instruction relevant to the Printmaking studio will be addressed.
Offerings
| Campus | Teaching period | Mode |
|---|---|---|
| Caulfield | Second semester | Teaching activities are on-campus (ON-CAMPUS) |
Assessment
The Handbook does not list a final examination among the assessment items. That is not a guarantee there is none.
| # | Assessment | Type | Weight | Hurdle |
|---|---|---|---|---|
| 1 | Project 1: Graphic Experiments | Project | 40% | — |
| 2 | Project 2: Poster Assignment | Project | 60% | — |
| 3 | Workshop Participation | Demonstration | 0% | Competency |
100% in-semester assessment
Assessment details may change. Please refer to the assessment information in Moodle closer to the start of the teaching period.
Requisites
corequisite
- OHS1000 — Introduction to art and design health and safety
Learning outcomes
- Develop conceptual, technical and design skills in relation to screenprinting practice;
- Develop studio processes in the screenprinting studio that generate ongoing creative research;
- Apply creative strategies in print media as a form of expression appropriate to the concept you are investigating;
- Analyse the context of screenprinting in various fields of national and international cultural production;
- Position and articulate the aesthetic, theoretical and historical context of your screenprinting within contemporary cultural production.
Workload
12 hours per week including 4 contact hours plus 8 hours of independent study.
| Activity | Duration |
|---|---|
| Studio activities | 48 hours |
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